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Prehistoric Rock Art in the sandstone chaos of Fontainebleau massif. Strategies for research, archiving and outreach sciencesconf.org:meso2020:312874 |
Is there a mesolithic art? Mesolithic versus modernity at the time of Napoleon 3 and Jules Grévy sciencesconf.org:meso2020:323104 |
Experimental approach of prehistoric rock art in the sandstone chaos of Fontainebleau massif : analysis of the engraved material, technical choices and engraving durations in a ritual practice dating from the 8th millennium BCE sciencesconf.org:meso2020:324076 |
Action and dynamics in the manufacture of Late Palaeolithic and Mesolithic art objects sciencesconf.org:meso2020:324658 |
Rediscovered Mesolithic rock art collection from Kamyana Mohyla complex in Eastern Ukraine sciencesconf.org:meso2020:324667 |
Techniques and ideas. Context of use of the zigzag motif in Zamostje 2 (Upper Volga region) sciencesconf.org:meso2020:324703 |
An engraved shale pendant from Star Carr, UK: An indicator of cultural connection? sciencesconf.org:meso2020:325759 |
The engraved plaquettes collection of Cueva de la Cocina: Redefining the Mesolithic archaeological context from 3D stratigraphic reconstruction and new radiocarbon framework sciencesconf.org:meso2020:325888 |
Portable soapstone animal figures in Mesolithic western Norway sciencesconf.org:meso2020:325951 |
The engraved portable art from the Iberian Mesolithic: first insights to the technical and compositional patterns of the plaquettes from Cueva de la Cocina (Valencia, Spain) sciencesconf.org:meso2020:325970 |
An engraved pebble from the Roquemissou site (Aveyron, France): technique, composition and context sciencesconf.org:meso2020:325980 |
On the question when the Shigir Idol was made sciencesconf.org:meso2020:326148 |